kiameku:

Monica Bonvicini
Same Old Shit
2018
mirror, MDF
90 x 80 x 2.60 cm

talesfromweirdland:

wolfie-amadeus:

Polaroid from the set of Amadeus (1984).

It seems wholly unfair to me that the people who are the real reason these art fairs are able to happen are the ones incurring most of the losses most of the time. And it seems wholly logical that the best thing they could possibly do is completely do away with the middleman. That they seize the art fair.

To do so however would require the unthinkable: For gallerists to—instead of see one another as competitors—consider each other as partners. To band together to rent out the necessary space to create their own art fair. The cost-per-square-foot will without a doubt be a whole lot less than what they usually pay. On top of that, any revenue made from ticket sales, they can distribute among each other.

It’s an obvious no-brainer, but it requires the audacity to abandon the vampiristic traits of competitive capitalism, and instead think and act like co-op. An industry wide co-op.

(This, I imagine, could very well apply to a fair or convention of any kind, btw.)

Ganzeer in Restricted Frequency #135

nevver:

Drop the Rock

thebristolboard:

Original double-page spread by Gene Colan and Tom Palmer from Tomb of Dracula #4, published by Marvel Comics, April 1980.

screenshotsofdespair:

storiesofapple:

Stories of Apple on Instagram has reached (and surpassed) 450 followers!

(i definitely need a macro lens)

peopletalktoomuch:

jkatnayc:

The thing abouth all these Disney remakes is that most of them, it feels like if someone once said, “I’m going to make a live action remake of Edvard Munch’s “The Scream” and then he just took a photo of some random bald guy screaming on a bridge. I mean all the elements are there but he changes all the expressionist elements in favor of “realism” loosing most of the things that made the scream one of the most important, if not the most important pieces of the Norwegian expressionism, maybe just keeping the general comossition and maybe making some little changes, just enough to make it feel kind of different, but not enough to be relevant. Change the long sleeves for shorter ones, or maybe even add a new character in the back who will be there, but, at the end of the won’t be really important. But loosing the colors, the shapes, the brush strokes, the style.

IT’s just a bland looking photo of a guy screaming, that is only really relevant mostly because of the audience being already familiar with the original artwork.

YES.

karenhurley:

The clever ‘Always lock up your guns’ film I posted a few months ago is back with an eye catching print campaign. If they find it, they’ll play with it

Agency: McCann NY

browsethestacks:

Vintage Comic - El Sorprendente Hombre Araña #173 (Mexican)

skiribilla:

julienfoulatier: Painting by Roy Lichtenstein.