inspiringoddsnsods:

The Philistine by Dennis O’Neil, Frank Miller and Joe Rosen from Bizarre Adventures #31, 1982.

travisellisor:

page 30 from Strange Tales (1951) #180 by Jim Starlin and Tom Orzechowski

seanhowe:

Like Luke Cage, the Cat was subjected to medical experiments that gave her super powers. Instead of just super-strength, though, Greer Grant, formerly a docile homemaker, was given an intensified “women’s intuition.” (Two years later, the character was subjected to radiation, which transformed her into a furry, striped feline named Tigra. Her costume was simply a bikini.) Alas, the message of empowerment was lost on Wally Wood, who sent back the cover of The Cat #1 with the heroine’s clothes removed, and Marie Severin—who’d had more than her fill of boys’ club shenanigans over the years—had to white out the Cat’s nipples and pubic hair.

(sigh)

seanhowe:

In 1979, Alice Donenfeld—Marvel VP of Business Affairs—came up with the germ of the idea that became Dazzler.

She also campaigned for film & TV featuring Ms. Marvel, Spider-Woman, Howard the Duck, and She-Hulk.

comicartistevolution:

ungoliantschilde:

comicartistevolution:

And that is why we needed the Comics Code Authority.

— Miss America #66 (1954)

Wait. Patsy MAYBE was interested in a different guy, so Buzz has decreed that she has to give him roadhead all the way to the Capital Theatre? Not cool, bro.

That’s not really reason to institute a nationwide ban on the content of comic books. That’s more like Buzz is a delusional ass wipe.

Mad Dog and Hellcat were kinky AF back in Centerville.

— Patsy Walker #55 (1954)

talesfromweirdland:

First sketch of Marvel’s The Punisher, by John Romita Sr.

Steve Ditko’s gallery of villains of Spider-Man

browsethestacks:

Original Art - Tomb Of Dracula #04 Pg 39 (1992) by Gene Colan and Al Williamson

thebristolboard:

Original pencils and final inked double-page spread by John Buscema from Amazing Spider-Man Annual #32, published by Marvel, 1999.

comicartistevolution:

Patsy & Hedy #28, 1954

johnbyrnedraws:

Sensational She-Hulk #1, page 29 by John Byrne & Bob Wiacek & Glynis Wein. 1989.

dirtyriver:

alexsegura:

Happy belated birthday to Sal Buscema, who has drawn every character under the sun, but will always be the definitive Spider-Man artist of my youth - merging the style and vibe of John Romita with a modern, gritty sensibility. I loved his run with J.M. DeMatteis - one of the best superhero arcs ever, loaded with history anddark, psychological suspense mixed in with classic superheroics.

A great run, that made me reevaluate his earlier work. When I was a kid I felt he always compared unfavorably with his brother (and to be fair all artists compared unfavorably with Big John at the time), but after his collaboration with Walt Simonson on Thor it was like he finally shook free of his brother’s shadow, and his new approach to storytelling was a perfect fit for the story DeMatteis was telling.

ninavandeweghe:

TMH edition #5, (47th street) 

comicartistevolution:

comicartistevolution:

July, 1965: In the Amazing Spider-Man letters column, Fanboy Steve Gerber suggests that Patsy Walker and Millie the Model join the “Marvel Universe”

October, 1965: Fantastic Four Annual #3: Patsy is shown outside Reed and Sue’s wedding (as frenemy Hedy spots Millie the model off-panel).

---

That said, we’d have to wait until 1978 to see Patsy mix it up with Spidey as the two wrestled the Cosmic Cube away from Thanos.

I also love that Kurt Busiek and Alex Ross thought enough of Patsy’s inclusion into the Marvel Universe that they included it in their amazing Marvels miniseries.

comicartistevolution:

Civil War III

goodnight-sleepwell:

I can’t help it, pink is my favourite colour!

Open call for the annual Zine Happening in Gent. Send your application today!

go-faq-yourself:

Pink Donkey, #redrawingstoriesfromthepast part 2. out in March @kushkomikss

#giornatadellamemoria #tagdesgedenkensandieopferdesnationalsozialismus #nationalsozialismus #InternationalHolocaustRemembranceDay #comic #holocaust
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