go-faq-yourself:

Pink Donkey, #redrawingstoriesfromthepast part 2. out in March @kushkomikss

#giornatadellamemoria #tagdesgedenkensandieopferdesnationalsozialismus #nationalsozialismus #InternationalHolocaustRemembranceDay #comic #holocaust
https://www.instagram.com/p/BtL2tBHBgC6/?utm_source=ig_tumblr_share&igshid=1hlhi3p3u1kmg

chrjshemsworth:

every single STAN LEE cameo in the marvel cinematic universe (MCU)

nevver:

“Nothing in the world is more dangerous than sincere ignorance and consciencious stupidity”
— Martin Luther King

ndscottsummers:

Classic X-Men #17

browsethestacks:

Marie Severin Hard At Work

nevver:

Good to the last drop, Moebius for Maxwell House coffee

travisellisor:

page 1 from Tales Of Suspense (1959) #31 by Jack Kirby, Dick Ayers, Stan Lee, Larry Lieber and Ray Holloway

tompalmerillustration:

Doctor Strange #14, page 1. Marvel Comics, 1976. Pencils by Gene Colan. Inks by Tom Palmer.

rocket-prose:

Some original David Mazzucchelli pages from his incredible “Born Again” storyline in Daredevil, with writer Frank Miller.

browsethestacks:

Joe Sinnott, Neal Adams And Al Williamson (1969)

seanhowe:

Letter from Stan Lee to Jack Kirby, January 25, 1977:

“Dear Jack,

Just a line to tell you how much I enjoyed seeing you in Los Angeles—and I am sure Jim did, too.

I am sorry we didn’t have more time to spend together, but at least we did have a chance to talk awhile.

I hope everything we discussed is clear and agreeable with you and that all will work out well. Keep rolling along on the SURFER—it is bound to be the “All the President’s Men” of 1977!

With all best wishes to you, Roz, and the family.

Cordially,

Stan

the-insidious-dr-grey-matter:

In the 1960s, director/UC Santa Cruz staffer Sheldon Feldner wrote to Marvel Comics asking if an artist would be willing to draft costumes for the University of California’s production of William Shakespeare’s Julius Caesar. Jack Kirby happily obliged, and they’re pure Kirby.

The costumes were made out of military surplus, plastic, and vinyl.

seanhowe:

Walter Simonson breakdowns and finished art for the X-Men/New Teen Titans comic, 1982. Inks by Terry Austin; Colors by Glynis Wein; Words by Chris Claremont; Lettering by Tom Orzechowski.

The New Teen Titans was deemed “DC’s X-Men” for the way that it, too, dusted off adolescent characters from the 1960s, paired them with new members from faraway lands, and mined the cultural conflicts for melodrama—but it was also an undeniably well-done comic, and the first threat in a while to Marvel’s hype monopoly.

browsethestacks:

Frank Miller Reading Daredevil

mostlysignssomeportents:

Timothy from Creative Commons writes, “In the US beginning Jan 1, 2019–after a devastating 20 year drought brought on by the infamous 1998 ‘Mickey Mouse Protection Act.’  Creators, commons advocates, librarians, legal activists and others are celebrating in San Francisco at the Internet Archive on January 25, 2019 to mark the ‘Grand Re-Opening of the Public Domain.’ There will be keynotes (including from Cory Doctorow and Larry Lessig), panels with legal experts like Pam Samuelson and EFF, and lightning talks to showcase the important, weird, and wonderful public domain.”

https://boingboing.net/2018/12/05/mickey-mouse-protection-act.html

thebristolboard:

Unpublished pencil sketch by Gene Colan for Daredevil #67 and the final cover by Marie Severin (pencils) and Bill Everett (inks), published by Marvel Comics, August 1970.